Andrea Mantegna
Andrea Mantegna's Oil Paintings
Andrea Mantegna Museum
(c. 1431 – c. 1506), a North Italian Renaissance painter.

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Here are all the paintings of Joseph Mallord William Turner 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
52521 )Peace - Burial at Sea Joseph Mallord William Turner )Peace - Burial at Sea 1842 Oil on canvas, 87 x 86,5 cm
24461 A coast scene with fisherman hauling a boat ashore (mk31) Joseph Mallord William Turner A coast scene with fisherman hauling a boat ashore (mk31) 1803-1804 Oil on canvas 91.4x122cm The Iveagh Bequest,Kenwood.London
24464 A country blacksmith disputing upon the price of iron,and the price charged to the butcher for shoeing his pony (mk310 Joseph Mallord William Turner A country blacksmith disputing upon the price of iron,and the price charged to the butcher for shoeing his pony (mk310 Oil on fir-plank 55x78cm
55101 A little suprise Joseph Mallord William Turner A little suprise mk239 1913 Oil on canvas 109.8x119.7cm
55157 A spot Joseph Mallord William Turner A spot mk239 1925 oil on canvas 75x55cm
55094 Abstract Joseph Mallord William Turner Abstract mk239 1913 Oil on canvas
55098 Abstract Joseph Mallord William Turner Abstract mk239 1914 Oil on canvas
55196 Accompany Joseph Mallord William Turner Accompany mk239 1937 Oil on canvas 114x146cm
54870 Across the river Joseph Mallord William Turner Across the river mk238 1815 Oil on canvas 193x165cm
55025 Africa Joseph Mallord William Turner Africa mk239 107x95.5cm
70120 Ancient Italy Joseph Mallord William Turner Ancient Italy Description Turner Ovid Banished from Rome.jpg Ancient Italy - Ovid Banished from Rome
54965 Angel Joseph Mallord William Turner Angel mk238 1746 Oil on canvas 78.5x78.5cm
3240 Angel Standing in a Storm Joseph Mallord William Turner Angel Standing in a Storm 1846 Tate Gallery, London
55050 Angel-s judge Joseph Mallord William Turner Angel-s judge mk239 1911 Oil on canvas 85x74cm
55056 Anniversary of Saint Joseph Mallord William Turner Anniversary of Saint mk239 1911 Oil on canvas 50x64.5cm
55057 Anniversary of Saint Joseph Mallord William Turner Anniversary of Saint mk239 1911 34.5x40.5cm
88174 Ansicht von Orvieto Joseph Mallord William Turner Ansicht von Orvieto 1828-1829 Medium Oil on canvas Dimensions 91,5 x 123 cm cjr
31832 Antwerp van goyen looking our for a subject Joseph Mallord William Turner Antwerp van goyen looking our for a subject mk76 Painted in 1833 Oil on canvas 36 1/8x48 3/8in
3236 Approach to Venice Joseph Mallord William Turner Approach to Venice 1843 24 1/2" x 37" National Gallery of Art, Washington DC
55168 Arc-s spot Joseph Mallord William Turner Arc-s spot mk239 1927 Oil on canvas 66x49cm
55220 Arrow Joseph Mallord William Turner Arrow mk239 1943 Oil on canvas 42x57cm
55033 Artist 198 Joseph Mallord William Turner Artist 198 mk239 1914 oil on canvas 16.5x92.1cm
55162 Ase Joseph Mallord William Turner Ase mk239 1926 Oil on canvas 45x53cm
55217 Assemble Joseph Mallord William Turner Assemble mk239 1940 Oil painting 81x116cm
54868 Augur Joseph Mallord William Turner Augur mk238 1814-1815 Oil on canvas 72x97cm
55046 Autumn-s tree Joseph Mallord William Turner Autumn-s tree mk239 1910 Oil on canvas 32.8x44.1cm
21773 Avalanche in the Grisons (mk10) Joseph Mallord William Turner Avalanche in the Grisons (mk10) 1810 Oil on canvas 90 x 120 cm London,Tate Gallery
54927 Azrael Joseph Mallord William Turner Azrael mk238 1825-1830 Oil on canvas 59.7x75.6cm
55209 Balance Joseph Mallord William Turner Balance mk239 1942 89x116cm
54864 Bay Joseph Mallord William Turner Bay mk238 1813 Oil on canvas 24.5x30.5cm
54954 Bay scene Joseph Mallord William Turner Bay scene mk238 1840-1845 30.5x47.5cm
54889 Beside the Nusikao Joseph Mallord William Turner Beside the Nusikao mk238 1827 Oil on canvas 43.7x61.3cm
55104 Bird Joseph Mallord William Turner Bird mk239 1916 Watercolour 34.2x34.2cm
55079 Black arc Joseph Mallord William Turner Black arc mk239 Oil on canvas 1912 188x196cm
55133 Black block Joseph Mallord William Turner Black block mk239 1923 Oil on canvas 97.5x93cm
55140 Black Circle Joseph Mallord William Turner Black Circle mk239 1923 130x130cm Oil on canvas
55120 Black line Joseph Mallord William Turner Black line mk239 1913 130x131.5cm
55193 Black spot Joseph Mallord William Turner Black spot mk239 1935 116x89cm
55176 Blue vapor Joseph Mallord William Turner Blue vapor mk239 1928 30x18cm
54926 Boat Joseph Mallord William Turner Boat mk238 1831 Oil on canvas 91.4x122cm
54938 Boat Joseph Mallord William Turner Boat mk238 1830-1835 Oil on canvas 92.1x122.6cm
54843 Boat and war Joseph Mallord William Turner Boat and war mk238 1804 Oil on canvas 101.5x130.5cmn
54877 Boat in the breezee Joseph Mallord William Turner Boat in the breezee mk238 1806-1807 Watercolour 18.4x26.2cm
24466 Bolton Abbey,Yorkshire (mk31) Joseph Mallord William Turner Bolton Abbey,Yorkshire (mk31) 1809 Watercolour 27.8x39.5cm
54905 Bolu Joseph Mallord William Turner Bolu mk238 1826 Watercolour 28x40cm
84268 Boston in Lincolnshire Joseph Mallord William Turner Boston in Lincolnshire Date c.1833 Medium Oil on canvas Dimensions 28.8 x 42.3 cm (11.3 x 16.7 in) cjr
88154 Boston in Lincolnshire Joseph Mallord William Turner Boston in Lincolnshire 1833 Medium Oil on canvas Dimensions 28.8 x 42.3 cm (11.3 x 16.7 in) cyf
54840 Bridge Joseph Mallord William Turner Bridge mk238 1803-1804 Oil on canvas 76.8x62.8cm
54859 Bridge Joseph Mallord William Turner Bridge mk238 1810 Oil on canvas 91.5x122cm
54863 Bridge Joseph Mallord William Turner Bridge mk238 1817 Watercolour 19.9x31.1cm
54874 Bridge Joseph Mallord William Turner Bridge mk238 1806-1807 Watercolour 18.1x25.8cm
54958 Bridge Joseph Mallord William Turner Bridge mk238 1840-1845 Oil on canvas 86.3x117.5cm
24484 Bridge of Sighs,Ducal Palace and Custom-house (mk31) Joseph Mallord William Turner Bridge of Sighs,Ducal Palace and Custom-house (mk31) Venice,Canaletto painting 1833 Oil on mahogany 51x82.5cm
55146 Bright Joseph Mallord William Turner Bright mk239 1924 Watercolour
55142 Brown Joseph Mallord William Turner Brown mk239 1924 Watercolour 48.5x33.3cm
55147 Brown Joseph Mallord William Turner Brown mk239 1924 Oil on canvas 83.1x72.7cm
30694 Burning of the Houses Joseph Mallord William Turner Burning of the Houses mk68 Oil on canvas Philadelphia,Philadelphia Museum of Art 1835 Britain
54981 Bury Joseph Mallord William Turner Bury mk238 1841 Watercolour
78812 Buttermere Lake Joseph Mallord William Turner Buttermere Lake Buttermere Lake, with Park of Cromackwater, Cumberland, a Shower (painting - oil on canvas) Date circa 1797-1798 cjr
81891 Buttermere Lake Joseph Mallord William Turner Buttermere Lake circa 1797-1798 cyf
3209 Buttermere Lake : A Shower Joseph Mallord William Turner Buttermere Lake : A Shower 1798 Tate Gallery, London
91561 Buttermere-See mit Teilansicht von Cromackwater Joseph Mallord William Turner Buttermere-See mit Teilansicht von Cromackwater 1798(1798) Medium oil on canvas Dimensions 91,5 x 122 cm cyf
24478 Caernarvon Castle,Wales (mk31) Joseph Mallord William Turner Caernarvon Castle,Wales (mk31) 1833-1834 Watercolour 29x44cm
61220 Calais Pier Joseph Mallord William Turner Calais Pier J.M.W. Turner, Calais Pier
24460 Calais Pier,with French poissards preparing for sea:an English packet arriving (detail) (mk31) Joseph Mallord William Turner Calais Pier,with French poissards preparing for sea:an English packet arriving (detail) (mk31) 1803 Oil on canvas 172x240cm
24482 Calais sands,low water (mk31) Joseph Mallord William Turner Calais sands,low water (mk31) 1830 Oil on canvas 73x107cm
54950 Calmness Joseph Mallord William Turner Calmness mk238 1842 Oil on canvas 87x86.7cm
54974 Canal Joseph Mallord William Turner Canal mk238 1840 Watercolour 22.1x31.8cm
54979 Canal Joseph Mallord William Turner Canal mk238 1840 Watercolour 22.1x32.4cm
87210 Canal Grande in Venedig Joseph Mallord William Turner Canal Grande in Venedig Date 1835(1835) Medium Oil on canvas Dimensions 90 x 120,3 cm cjr
91974 Canal Grande in Venedig Joseph Mallord William Turner Canal Grande in Venedig 1835(1835) Medium oil on canvas Dimensions 90 X 120,3 cm cyf
54829 Castle Joseph Mallord William Turner Castle mk238 1798 Oil on canvas 47x69cm
54832 Castle Joseph Mallord William Turner Castle mk238 1799 Watercolour 55x77cm
54833 Castle Joseph Mallord William Turner Castle mk238 1799 watercolour 55.5x76.2cm
54839 Castle Joseph Mallord William Turner Castle mk238 1803 Oil o ncanvas 103.5x139.7cm
54909 Castle Joseph Mallord William Turner Castle mk238 1825-1830 Watercolour
54912 Castle Joseph Mallord William Turner Castle mk238 1829 Watercolour 29.8x42.6cm
87196 Castle von Kilgarran am Twyvey Joseph Mallord William Turner Castle von Kilgarran am Twyvey Date 1799(1799) Medium Oil on canvas Dimensions 92 x 122 cm cjr
91964 Castle von Kilgarran am Twyvey Joseph Mallord William Turner Castle von Kilgarran am Twyvey 1799(1799) Medium oil on canvas Dimensions 92 X 122 cm cyf
54929 Cay Joseph Mallord William Turner Cay mk238 1832 Watercolour 13.9x19.1cm
55207 Centre Joseph Mallord William Turner Centre mk239 1939 49x31cm
55148 Centre line Joseph Mallord William Turner Centre line mk239 1924 Watercolour 34.6x22.9cm
55020 Centre market Joseph Mallord William Turner Centre market mk239 1908 Oil on canvas 33x41cm
55179 Change green Joseph Mallord William Turner Change green mk239 1928 49.8x24.7cm
54819 Channel Joseph Mallord William Turner Channel mk238 1795 Watercolor 30.7x48.3cm
24476 Chichester Canal (mk31) Joseph Mallord William Turner Chichester Canal (mk31) 1828 Oil on canvas 121x90.5cm
61219 Chichester Canal vivid colours may have been influenced by the eruption of Mount Tambora in 1815. Joseph Mallord William Turner Chichester Canal vivid colours may have been influenced by the eruption of Mount Tambora in 1815. Chichester Canal's vivid colours may have been influenced by the eruption of Mount Tambora in 1815.
54978 Church Joseph Mallord William Turner Church mk238 1842 Oil on canvas 61.6x92.7cm
55018 Church Joseph Mallord William Turner Church mk239 1908 Oil on canvas 71x96cm
55158 Circle Joseph Mallord William Turner Circle mk239 1925 Oil on canvas 61.5x41.5cm
55161 Circle Joseph Mallord William Turner Circle mk239 1926 140x140cm
55206 Circle Joseph Mallord William Turner Circle mk239 1939 92x72cm
55182 Climb Joseph Mallord William Turner Climb mk239 1931 Watercolour 48.1x61cm
55181 Close Joseph Mallord William Turner Close mk239 1930 Oil on canvas 49.2x36.8cm
55089 cloudburst Joseph Mallord William Turner cloudburst mk239 1913 Oil on canvas 111x111cm
54925 Cockpit Joseph Mallord William Turner Cockpit mk238 1831 Oil on canvas 91.4x122cm
24481 Cologne,the arrival lf a pachet boat;evening (mk31) Joseph Mallord William Turner Cologne,the arrival lf a pachet boat;evening (mk31) 1826 Oil and maybe watercolour on canvas 168.6x224.1cm
31834 Cologne:The arrival of a packet-boat:evening Joseph Mallord William Turner Cologne:The arrival of a packet-boat:evening mk76 Painted in 1826 Oil and possibly watercolor on canvas 66 3/8x88 1/4in
54890 Concert Joseph Mallord William Turner Concert mk238 1835 Oil on canvas 121x90.6cm
24486 Constance (mk31) Joseph Mallord William Turner Constance (mk31) Watercolour 30.4x45.4cm

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Joseph Mallord William Turner
English Romantic Painter, 1775-1851 Joseph Mallord William Turner (23 April 1775 ?C 19 December 1851) was an English Romantic landscape painter, watercolourist and printmaker, whose style is said to have laid the foundation for Impressionism. Although Turner was considered a controversial figure in his day, he is now regarded as the artist who elevated landscape painting to an eminence rivalling history painting. Turner's talent was recognised early in his life. Financial independence allowed Turner to innovate freely; his mature work is characterised by a chromatic palette and broadly applied atmospheric washes of paint. According to David Piper's The Illustrated History of Art, his later pictures were called "fantastic puzzles." However, Turner was still recognised as an artistic genius: the influential English art critic John Ruskin described Turner as the artist who could most "stirringly and truthfully measure the moods of Nature." (Piper 321) Suitable vehicles for Turner's imagination were to be found in the subjects of shipwrecks, fires (such as the burning of Parliament in 1834, an event which Turner rushed to witness first-hand, and which he transcribed in a series of watercolour sketches), natural catastrophes, and natural phenomena such as sunlight, storm, rain, and fog. He was fascinated by the violent power of the sea, as seen in Dawn after the Wreck (1840) and The Slave Ship (1840). Turner placed human beings in many of his paintings to indicate his affection for humanity on the one hand (note the frequent scenes of people drinking and merry-making or working in the foreground), but its vulnerability and vulgarity amid the 'sublime' nature of the world on the other hand. 'Sublime' here means awe-inspiring, savage grandeur, a natural world unmastered by man, evidence of the power of God - a theme that artists and poets were exploring in this period. The significance of light was to Turner the emanation of God's spirit and this was why he refined the subject matter of his later paintings by leaving out solid objects and detail, concentrating on the play of light on water, the radiance of skies and fires. Although these late paintings appear to be 'impressionistic' and therefore a forerunner of the French school, Turner was striving for expression of spirituality in the world, rather than responding primarily to optical phenomena. Rain, Steam and Speed - The Great Western Railway painted (1844).His early works, such as Tintern Abbey (1795), stayed true to the traditions of English landscape. However, in Hannibal Crossing the Alps (1812), an emphasis on the destructive power of nature had already come into play. His distinctive style of painting, in which he used watercolour technique with oil paints, created lightness, fluency, and ephemeral atmospheric effects. (Piper 321) One popular story about Turner, though it likely has little basis in reality, states that he even had himself "tied to the mast of a ship in order to experience the drama" of the elements during a storm at sea. In his later years he used oils ever more transparently, and turned to an evocation of almost pure light by use of shimmering colour. A prime example of his mature style can be seen in Rain, Steam and Speed - The Great Western Railway, where the objects are barely recognizable. The intensity of hue and interest in evanescent light not only placed Turner's work in the vanguard of English painting, but later exerted an influence upon art in France, as well; the Impressionists, particularly Claude Monet, carefully studied his techniques.
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