Andrea Mantegna
Andrea Mantegna's Oil Paintings
Andrea Mantegna Museum
(c. 1431 – c. 1506), a North Italian Renaissance painter.

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Here are all the paintings of George Stubbs 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
37778 A Couple of Foxhounds George Stubbs A Couple of Foxhounds sn02 1792 Oil on canvas 101.6x127
43304 A Gentleman Driving a Lady in a Phaeton George Stubbs A Gentleman Driving a Lady in a Phaeton mk170 1787 Oil on oak 82.5x101.6cm
3727 A Horse Frightened by a Lion George Stubbs A Horse Frightened by a Lion 1770 Tate Gallery, London
45940 A Horse Frightened by a Lion George Stubbs A Horse Frightened by a Lion mk178 oil on linen 10.1x126cm
72965 A Lion Attacking a Horse George Stubbs A Lion Attacking a Horse "A Lion Attacking a Horse," oil on canvas, by the English artist George Stubbs. 38 in. x 49 1/2in. Yale University Art Gallery, gift of the Yale University Art Gallery Associates. Courtesy of Yale University, New Haven, Conn. cjr
74051 A Lion Attacking a Horse George Stubbs A Lion Attacking a Horse oil on canvas, by the English artist George Stubbs. 38 in. x 49 1/2in. Yale University Art Gallery, gift of the Yale University Art Gallery Associates. Courtesy of Yale University, New Haven, Conn. Date 1770(1770) cyf
60942 A self portrait by George Stubbs George Stubbs A self portrait by George Stubbs A self portrait by George Stubbs
37639 A Zebra George Stubbs A Zebra mk127 22x28
45907 Bay time tone with John Singleton Up George Stubbs Bay time tone with John Singleton Up mk178 around 1767 oils on Leiwand 101.6x127cm
81498 Brood Mares and Foals George Stubbs Brood Mares and Foals oil on canvas painting by George Stubbs, early 1760s Date early 1760s cyf
78213 Brood Mares and Foals, George Stubbs Brood Mares and Foals, Brood Mares and Foals, oil on canvas painting by George Stubbs, early 1760s cjr
37797 Cheetah and Stag with Two Indians George Stubbs Cheetah and Stag with Two Indians sn02 1765 Oil on canvas 180.7x273.3
71521 Der Phaeton des Prince of Wales George Stubbs Der Phaeton des Prince of Wales 1793(1793) Oil on canvas 102 x 128 cm
72729 Der Phaeton des Prince of Wales George Stubbs Der Phaeton des Prince of Wales Date 1793(1793) Medium Oil on canvas Dimensions Deutsch: 102 X 128 cm cyf
37773 Dog George Stubbs Dog sn02 Oil on canvas Picture Library, London
37775 Dog George Stubbs Dog sn02 Oil on canvas
37597 Foxhounds in a Landscape George Stubbs Foxhounds in a Landscape mk127 23x32
93687 Gepard mit zwei indischen Dienern und einem Hirsch George Stubbs Gepard mit zwei indischen Dienern und einem Hirsch 1765(1765) Medium oil on canvas Dimensions Deutsch: 206 x 274 cm cjr
91221 Gimcrack on Newmarket Heath, with a Trainer, a Stable-lad, and a Jockey George Stubbs Gimcrack on Newmarket Heath, with a Trainer, a Stable-lad, and a Jockey 1765(1765) Medium oil on canvas Dimensions Deutsch: 96,5 x 186,5 cm cjr
96606 Green Monkey George Stubbs Green Monkey 1798(1798) Medium oil on canvas cyf
45908 Hambletonian, Rubbing Down George Stubbs Hambletonian, Rubbing Down mk178 1800 oils on linen 209x367.3cm
56166 hambletonian,rubbing down George Stubbs hambletonian,rubbing down mk247 1800,oil on canvas,82.25x144.625 in,209x367.5 cm,mount stewart house,county down,uk
53854 Hasta who become skramd of a lion George Stubbs Hasta who become skramd of a lion mk234 1770 94x125cm
86407 Haymakers George Stubbs Haymakers Date 1785(1785) Medium Oil on wood Dimensions Height: 89.5 cm (35.2 in). Width: 132.5 cm (52.2 in). cjr
90726 Haymakers George Stubbs Haymakers 1785(1785) Medium oil on panel Dimensions Height: 89.5 cm (35.2 in). Width: 132.5 cm (52.2 in). cyf
37776 Horse George Stubbs Horse sn02 Oil on canvas
32821 Horse Frightened by a lion George Stubbs Horse Frightened by a lion mk81 1763
50846 Hunting Scene Detail from a landscape George Stubbs Hunting Scene Detail from a landscape mk216
44001 Lion Devouring a Horse George Stubbs Lion Devouring a Horse 1763 Oil on canvas, 69 x 104 cm
77668 Lord Grosvenor's Arabian Stallion with a Groom George Stubbs Lord Grosvenor's Arabian Stallion with a Groom Lord Grosvenor's Arabian Stallion with a Groom, c. 1765, oil on canvas painting by George Stubbs, Kimbell Art Museum. cjr
81240 Lord Grosvenors Arabian Stallion with a Groom George Stubbs Lord Grosvenors Arabian Stallion with a Groom c. 1765, oil on canvas painting by George Stubbs, Kimbell Art Museum Date ca. 1765(1765) cyf
45906 Lustre hero by a Groom George Stubbs Lustre hero by a Groom mk178 around 1760-1762 oil on linen 101.9x127cm
45901 Mambrino George Stubbs Mambrino mk178 around 1790 oils on linen 88x117cm
23504 Mares and Foais in a Landscape (nn03) George Stubbs Mares and Foais in a Landscape (nn03) 1763-8 Oil on canvas 99.1 x 158.8 cm 39 x 62 1/2 in Tate Gallery London
3726 Mares and Foals in a Landscape George Stubbs Mares and Foals in a Landscape 1763-68 Tate Gallery, London
60944 Mares and Foals in a Landscape. George Stubbs Mares and Foals in a Landscape. Mares and Foals in a Landscape. 1763-68.
40590 Mares and Foals in a River Landscape George Stubbs Mares and Foals in a River Landscape mk156 1763-68 Oil on canvas
33820 Molly Longlegs with Jockey George Stubbs Molly Longlegs with Jockey mk86 c.1761/62 Oil on canvas 102x127cm Liverpool Walker Art Gallery
37777 Monkey George Stubbs Monkey sn02
37779 Mother and Child George Stubbs Mother and Child sn02 1772 30.5x30.5
32834 Otho,with JOhn Larkin up George Stubbs Otho,with JOhn Larkin up mk81 1768
71661 Pferde in einer Landschaft George Stubbs Pferde in einer Landschaft c. 1760-1770 Oil on canvas 99 x 188 cm
72914 Pferde in einer Landschaft George Stubbs Pferde in einer Landschaft Date Deutsch: um 1760-1770 English: c. 1760-1770 Medium Oil on canvas Dimensions Deutsch: 99 X 188 cm cyf
26955 Self-Portrait on a White Hunter George Stubbs Self-Portrait on a White Hunter mk52 1782 Enamel on Wedgwood biscuit earthenware 93x71cm Lady Lever Art Gallery,Port Sunlight
37795 Soldiers of the 10th Light Dragoons George Stubbs Soldiers of the 10th Light Dragoons sn02 1793 Oil on canvas 102.2x127.9
37774 Some Dogs George Stubbs Some Dogs sn02 Oil on canvas
56671 ston och fol i flodlandskap George Stubbs ston och fol i flodlandskap mk248 stubbs malade en serie studier av avelsston ocb fol placerade framfor skiftande bakgrunder, fran skogogar till berg. hans anatomiska expertis gjorde det latt for bonom att overtygande placera ut bastarna i tilltalande konfigurationer, vanligtvis malade ban djuren forst ocb fyllde darefter i det omgivande lanskapet utan att anvanda nagon forlaga.
71633 Stuten und Fohlen angstigen sich vor einem heraufziehenden Unwetter George Stubbs Stuten und Fohlen angstigen sich vor einem heraufziehenden Unwetter 1764-1765 Oil on canvas 99 x 188 cm
72833 Stuten und Fohlen angstigen sich vor einem heraufziehenden Unwetter George Stubbs Stuten und Fohlen angstigen sich vor einem heraufziehenden Unwetter Date 1764-1765 Medium Oil on canvas Dimensions Deutsch: 99 X 188 cm cyf
66443 Stuten und Fohlen in einer Flublandschaft George Stubbs Stuten und Fohlen in einer Flublandschaft 1763-1768 Oil on canvas 101,6 ?? 161,9 cm
70325 Stuten und Fohlen in einer Flublandschaft George Stubbs Stuten und Fohlen in einer Flublandschaft Medium Deutsch: Öl auf Leinwand English: Oil on canvas Dimensions Deutsch: 101,6 X 161,9 cm
3725 The Grosvenor Hunt George Stubbs The Grosvenor Hunt Grosvenor Estate, London
43305 The Milbanke and Melbourne Families George Stubbs The Milbanke and Melbourne Families mk170 circa 1769 oil on canvas 97.2x149.3cm
37798 The Third Duke of Portand and his Brother,Lord Edward Bentinck,with Two Horses at a Leaping Bar George Stubbs The Third Duke of Portand and his Brother,Lord Edward Bentinck,with Two Horses at a Leaping Bar sn02 1766-7 Oil on canvas 102.9x127.6
56672 vintergatans upplomst George Stubbs vintergatans upplomst mk248 i sin onskan att ododliggora sin nyfodds son herkules trycker fupiter bonom til gudinnan funos brost, mjoken som stanker uppat formar vintetans stjarnor, de droppar som faller till marken blir liljor. tintoretto malade liljor langs dukens bas, men vid nagot tillfalle bar den ursprungliga duken skurits av nedtill. denna malng ar en av de som mest patagligt uppvisar influenserna fran tizian.
45819 Whistlejacket George Stubbs Whistlejacket mk178 1762 oils on linen 292x246.4cm
45889 Whistlejacket George Stubbs Whistlejacket mk178 1762 oils on linen 292x246.4cm London, The nationally Gallery
56126 whistlejacket George Stubbs whistlejacket c.1762,oil on canvas,115x97 in,292x246.4 cm,national gallery,london,uk
60943 Whistlejacket. National Gallery, London. George Stubbs Whistlejacket. National Gallery, London. Whistlejacket. National Gallery, London.
37796 Yak George Stubbs Yak sn02 1791 Oil on canvas London

George Stubbs
1724-1806 George Stubbs Galleries George Stubbs (born in Liverpool on August 25, 1724 ?C died in London July 10, 1806) was a British painter, best known for his paintings of horses. Stubbs was the son of a currier. Information on his life up to age thirty-five is sparse, relying almost entirely on notes made by fellow artist Ozias Humphry towards the end of Stubbs's life. Stubbs was briefly apprenticed to a Lancashire painter and engraver named Hamlet Winstanley, but soon left as he objected to the work of copying to which he was set. Thereafter as an artist he was self-taught. In the 1740s he worked as a portrait painter in the North of England and from about 1745 to 1751 he studied human anatomy at York County Hospital. He had had a passion for anatomy from his childhood, and one of his earliest surviving works is a set of illustrations for a textbook on midwifery which was published in 1751. In 1755 Stubbs visited Italy. Forty years later he told Ozias Humphry that his motive for going to Italy was, "to convince himself that nature was and is always superior to art whether Greek or Roman, and having renewed this conviction he immediately resolved upon returning home". Later in the 1754 he rented a farmhouse in the village of Horkstow,Lincolnshire, and spent 18 months dissecting horses. He moved to London in about 1759 and in 1766 published The anatomy of the Horse. The original drawings are now in the collection of the Royal Academy. Even before his book was published, Stubbs's drawings were seen by leading aristocratic patrons, who recognised that his work was more accurate than that of earlier horse painters such as James Seymour and John Wootton. In 1759 the 3rd Duke of Richmond commissioned three large pictures from him, and his career was soon secure. By 1763 he had produced works for several more dukes and other lords and was able to buy a house in Marylebone, a fashionable part of London, where he lived for the rest of his life. Whistlejacket. National Gallery, London.His most famous work is probably Whistlejacket, a painting of a prancing horse commissioned by the 2nd Marquess of Rockingham, which is now in the National Gallery in London. This and two other paintings carried out for Rockingham break with convention in having plain backgrounds. Throughout the 1760s he produced a wide range of individual and group portraits of horses, sometimes accompanied by hounds. He often painted horses with their grooms, whom he always painted as individuals. Meanwhile he also continued to accept commissions for portraits of people, including some group portraits. From 1761 to 1776 he exhibited at the Society of Artists, but in 1775 he switched his allegiance to the recently founded but already more prestigious Royal Academy. Stubbs also painted more exotic animals including lions, tigers, giraffes, monkeys, and rhinoceroses, which he was able to observe in private menageries. He became preoccupied with the theme of a wild horse threatened by a lion and produced several variations on this theme. These and other works became well known at the time through engravings of Stubbs's work, which appeared in increasing numbers in the 1770s and 1780s. Mares and Foals in a Landscape. 1763-68.Stubbs also painted historical pictures, but these are much less well regarded. From the late 1760s he produced some work on enamel. In the 1770s Josiah Wedgwood developed a new and larger type of enamel panel at Stubbs's request. Also in the 1770s he painted single portraits of dogs for the first time, while also receiving an increasing number of commissions to paint hunts with their packs of hounds. He remained active into his old age. In the 1780s he produced a pastoral series called Haymakers and Reapers, and in the early 1790s he enjoyed the patronage of the Prince of Wales, whom he painted on horseback in 1791. His last project, begun in 1795, was A comparative anatomical exposition of the structure of the human body with that of a tiger and a common fowl, engravings from which appeared between 1804 and 1806. Stubbs's son George Townly Stubbs was an engraver and printmaker.
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