Andrea Mantegna
Andrea Mantegna's Oil Paintings
Andrea Mantegna Museum
(c. 1431 – c. 1506), a North Italian Renaissance painter.

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Here are all the paintings of GOYEN, Jan van 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
6976 Beach at Scheveningen df GOYEN, Jan van Beach at Scheveningen df 1646 Oil on canvas, 92,1 x 108 cm Thyssen-Bornemisza Collection, Madrid
6966 Dunes  sdf GOYEN, Jan van Dunes sdf 1629 Oil on wood Staatliche Museen, Berlin
6978 Haarlemer Meer dg GOYEN, Jan van Haarlemer Meer dg 1656 Oil on canvas., 39 x 54 cm Städelsches Kunstinstitut, Frankfurt
6967 Haymaking dg GOYEN, Jan van Haymaking dg 1630 Oil on wood, 31,5 x 50,5 cm Pushkin Museum, Moscow
6977 Horse Cart on a Bridge sg GOYEN, Jan van Horse Cart on a Bridge sg 1648 Oil on wood, 37 x 66 cm Alte Pinakothek, Munich
6968 Landscape with Dunes dxg GOYEN, Jan van Landscape with Dunes dxg 1630-35 Oil on panel, 54 x 37,5 cm Kunsthistorisches Museum, Vienna
6969 Marine Landscape with Fishermen fu GOYEN, Jan van Marine Landscape with Fishermen fu Oil on wood, 36,1 x 32,2 cm Museum of Fine Arts, Budapest
6970 Peasant Huts with a Sweep Well sdg GOYEN, Jan van Peasant Huts with a Sweep Well sdg 1633 Oil on oak, 55 x 80 cm Gemäldegalerie, Dresden
6971 River Landscape with a Windmill and a Ruined Castle sdg GOYEN, Jan van River Landscape with a Windmill and a Ruined Castle sdg 1644 Oil on canvas, 97 x 133 cm Mus??e du Louvre, Paris
6980 Seashore at Scheveningen dg GOYEN, Jan van Seashore at Scheveningen dg 1645 Oil on wood, 53 x 71 cm The Hermitage, St. Petersburg
6982 View of Dordrecht dg GOYEN, Jan van View of Dordrecht dg 1644-53 Oil on canvas, 97 x 148 cm Mus??es Royaux des Beaux-Arts, Brussels
6984 View of Dordrecht from the Oude Maas sdg GOYEN, Jan van View of Dordrecht from the Oude Maas sdg 1644 Oil on canvas, 103,5 x 133,5 cm Kunsthistorisches Museum, Vienna
6972 View of Leiden cdfh GOYEN, Jan van View of Leiden cdfh 1643 Oil on wood, 39,8 x 59,9 cm Alte Pinakothek, Munich
6983 View of Leiden dg GOYEN, Jan van View of Leiden dg 1650 Oil on canvas Stedelijk Museum De Lakenhal, Leiden
6981 View of The Hague in Winter dg GOYEN, Jan van View of The Hague in Winter dg 1645 Oil on panel, 52 x 70 cm The Hermitage, St. Petersburg
6974 View of the Merwede before Dordrecht sdg GOYEN, Jan van View of the Merwede before Dordrecht sdg Oil on wood Rijksmuseum, Amsterdam
6975 Village at the River sg GOYEN, Jan van Village at the River sg 1636 Wood, 39,5 x 60 cm Alte Pinakothek, Munich
6986 Windmill by a River fg GOYEN, Jan van Windmill by a River fg 1642 Oil on panel, 29,4 x 36,3 cm National Gallery, London
64697 Winter GOYEN, Jan van Winter 1645 Oil on panel, 52 x 70 cm The Hermitage, St. Petersburg *** Keywords: ************* Author: GOYEN, Jan van Title: Winter, 1601-1650, Dutch , painting , landscape
6987 Winter dgh GOYEN, Jan van Winter dgh 1645 Oil on panel, 52 x 70 cm The Hermitage, St. Petersburg
6985 Winter on the River dg GOYEN, Jan van Winter on the River dg Oil on wood Gemäldegalerie, Dresden

GOYEN, Jan van
Dutch Baroque Era Painter, 1596-1656 Jan van Goyen was born in Leiden on Jan. 13, 1596. Apprenticed from the age of 10, he had several masters. About 1617 he went to Haarlem to study with Esaias van de Velde, an important innovator in the Haarlem movement of realistic landscape painting. Van Goyen's works between 1621 and 1625 are sometimes hard to distinguish from those of his teacher. They are colorful, detailed views of villages and roads, usually busy with people, as in Winter (1621). It was Van Goyen's usual practice to sign or monogram and date his paintings. He traveled extensively through the Netherlands and beyond, recording his impressions in sketchbooks, occasionally with dates and often depicting recognizable scenes. Thus the chronology of his development is clear. His paintings of the late 1620s show a steady advance from the strong colors and scattered organization of his early works toward tonality and greater simplicity and unity of composition. By 1630 he was painting monochromes in golden brown or pale green; he played a leading part in the tonal phase of Dutch landscape painting. In 1631 Van Goyen settled in The Hague, where he became a citizen in 1634. The simplicity, airiness, and unification of his compositions continued to increase in his abundant production of dune landscapes, river views, seascapes, town views, and winter landscapes. The River View (1636) displays a river so open and extensive as to suggest the sea, with reflections that prolong the vast and luminous sky. In its monumentalization of humble structures and its composition built on a firm scaffolding of horizontal and vertical forces, it forecast at this early date developments that dominated landscape painting in the 1650s and later. In the Village and Dunes (1647) the traditional double-diagonal composition still exists, but it is dominated by horizontal and vertical accents. Stronger contrasts of light and dark replace the earlier tonality. In the last year of his life Van Goyen produced an eloquent new style, in which powerful forms stand out against the radiant sky and water in an exquisitely balanced composition (Evening Calm; 1656). The commission in 1651 to paint a panoramic view of The Hague for the Burgomaster's Room shows the high regard in which Van Goyen was held. He was enormously productive; well over 1,000 of his paintings still exist, and almost as many drawings. Yet he died insolvent, perhaps because of losses in his various business ventures, and soon after his death on April 27, 1656,
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